| Issue | Title | |
| Vol 10, No 1 (2023): UMMA: The Journal of Contemporary Literature and Creative Arts | Popular Songs and Legal Justice in Tanzania: Case of ‘Jumba Bovu’ [Bad House/Luck] and ‘Jela’ [In Prison] Bongo Flava Injustice Exposés | Abstract PDF |
| Edwin Mwakibete | ||
| Vol 8, No 1 (2021): UMMA: The Journal of Contemporary Literature and Creative Arts | Re-writing motherhood in Flora Nwapa’sEfuru | Abstract PDF |
| Káyòdé Omoniyì Ògúnfolábí | ||
| Vol 9, No 1 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Sangu Plant Tales: An Eco-portrayal of Human Floral Dependency | Abstract PDF |
| Michael Joel Kalenge | ||
| Vol 8, No 1 (2021): UMMA: The Journal of Contemporary Literature and Creative Arts | Sexism and misogyny in selected proverbs of the Chaga of Machame | Abstract PDF |
| Emmanuel Penion Lema | ||
| Vol 10, No 2 (2023): UMMA: The Journal of Contemporary Literature and Creative Arts | Sociality and Agency in Mandisi Bongelo’s “I am a Human Being - Flesh and Spirit” | Abstract PDF |
| Spemba Elias Spemba | ||
| Vol 9, No 2 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Songs and Language: Children’s Songs and the Learning of Kiswahili in Dar es Salaam, Tanzania | Abstract PDF |
| Kassomo Athanas Mkallyah | ||
| Vol 9, No 2 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Symbolism and Death: Class-based Ritualised Performance in the Basukuma Burial Ceremonies | Abstract PDF |
| Emmanuel Kilatu | ||
| Vol 10, No 1 (2023): UMMA: The Journal of Contemporary Literature and Creative Arts | Tattooing as a Popular Form of Body Art in Ascendancy among Urban Youths in Tanzania | Abstract PDF |
| Erick Edward Mgema | ||
| Vol 10, No 1 (2023): UMMA: The Journal of Contemporary Literature and Creative Arts | The Expectations and Development of Trans-musical and Bi-temporal Competence for Musician-teachers: An Autoethnographic Perspective | Abstract PDF |
| Kedmon Elisha Mapana, Barbara Reeder Lundquist | ||
| Vol 9, No 1 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | The Making of the ‘New Man’ in Chimamanda Ngozi Adichie’s Americanah | Abstract PDF |
| Mukoi Musagasa | ||
| Vol 9, No 2 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | The Mkwawa Portrait Conundrum: A Quest for Facial Similitude | Abstract PDF |
| Dominicus Zimanimoto Makukula | ||
| Vol 11, No 1 (2024): UMMA: The Journal of Contemporary Literature and the Creative Arts | The Perception and Implications of Bride-Wealth for Marital Relationship: Gender Analysis through Sukuma Oral Arts | Abstract PDF |
| Esther Julius Masele | ||
| Vol 10, No 2 (2023): UMMA: The Journal of Contemporary Literature and Creative Arts | Uhuru Torch Images in Sukuma Praise Songs | Abstract PDF |
| Tungu Masanja Mayombo | ||
| Vol 10, No 2 (2023): UMMA: The Journal of Contemporary Literature and Creative Arts | Unleashing Neglected Potentials: Women’s Self-awareness and Empowerment in Flora Nwapa’s One is Enough | Abstract PDF |
| Emmanuel James Kilatu | ||
| Vol 9, No 2 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Waka Music as a Commentary on Yoruba Society in Post-Colonial Nigeria: A Review of Two Female Musicians | Abstract PDF |
| Mutiat Titilope Oladejo | ||
| Vol 10, No 2 (2023): UMMA: The Journal of Contemporary Literature and Creative Arts | Year Naming among the Bahaya and Contemporary Morality | Abstract PDF |
| Valerius William Mjuni, Evaristi Magoti Cornelli | ||
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